Charlie Kaufman’s latest film, I’m Thinking of Ending Things, adapted by him from Ian Reid’s book of the same title, has stirred a lively discussion in critical circles, regardless of[ . . . ]
Little Joe, dir. Jessica Hausner [film review]
One of the best pictures in the history of sci-fi, Invasion of the Body Snatchers (dir. Don Siegel, 1956) has just gained a new rendition, this time authored by Austrian director Jessica Hausner, so far only known[ . . . ]
A Beautiful Day in the Neighborhood
A Beautiful Day in the Neighbourhood is one of those feel-good yet intelligent movies that everyone should see. Dedicated to Fred Rogers, the legendary host of the endearing and highly educational children’s programme Mister Rogers’[ . . . ]
Joker, dir. Todd Phillips [review]
Todd Phillips’s attempt at subverting expectations of both DC Comics fans and arthouse audiences with Joker has proven beyond successful. The film, which comes as a rather surprising offering from the[ . . . ]
Kuba Więcek Trio, Multitasking [review and interview]
Kuba Więcek is a 24 year-old Polish sax prodigy and the first debutant in nearly three decades included in the renowned Polish Jazz series by Polskie Nagrania, the country’s longest-running[ . . . ]
Where Does The Time Come From [Sweet Williams; album review]
Thomas House, frontman and creative brain of the Brighton outfit Sweet Williams, recently seen lending his vocal talents to Haress, is due to release the third album in the band’s[ . . . ]
Ezekiel Doo – Hallway Song [review]
Brighton outfit Ezekiel Doo have just officially released their first 7″ single, Hallway Song, via their home label Twitcher Records. Self-assured, intriguing and nuanced, it is a solid debut from[ . . . ]
High Life, dir. Claire Denis [review]
High Life, the first English-language film by French director Claire Denis, is far removed from the typical sci-fi tropes, such as the glorification of space exploration, praise of the human[ . . . ]
Mésange – Gypsy Moth [review]
Mésange are an instrumental duo formed by contemporary violinist Agathe Max (Kuro), originally from Lyon, France, and guitarist Luke Mawdsley (Cavalier Song) from Liverpool. Two years after the release of[ . . . ]
Haress – Haress [album review]
Formed by David Hand and Elizabeth Still from Bishop’s Castle in Shropshire, Haress are a guitar duo drawing freely from blues, folk and drone musical traditions in order to create[ . . . ]
English
polski
português