Charlie Kaufman’s latest film, I’m Thinking of Ending Things, adapted by him from Ian Reid’s book of the same title, has stirred a lively discussion in critical circles, regardless of[ . . . ]
Little Joe, dir. Jessica Hausner [film review]
One of the best pictures in the history of sci-fi, Invasion of the Body Snatchers (dir. Don Siegel, 1956) has just gained a new rendition, this time authored by Austrian director Jessica Hausner, so far only known[ . . . ]
A Beautiful Day in the Neighborhood
A Beautiful Day in the Neighbourhood is one of those feel-good yet intelligent movies that everyone should see. Dedicated to Fred Rogers, the legendary host of the endearing and highly educational children’s programme Mister Rogers’[ . . . ]
Joker, dir. Todd Phillips [review]
Todd Phillips’s attempt at subverting expectations of both DC Comics fans and arthouse audiences with Joker has proven beyond successful. The film, which comes as a rather surprising offering from the[ . . . ]
Kuba Więcek Trio, Multitasking [review and interview]
Kuba Więcek is a 24 year-old Polish sax prodigy and the first debutant in nearly three decades included in the renowned Polish Jazz series by Polskie Nagrania, the country’s longest-running[ . . . ]
Where Does The Time Come From [Sweet Williams; album review]
Thomas House, frontman and creative brain of the Brighton outfit Sweet Williams, recently seen lending his vocal talents to Haress, is due to release the third album in the band’s[ . . . ]
Ezekiel Doo – Hallway Song [review]
Brighton outfit Ezekiel Doo have just officially released their first 7″ single, Hallway Song, via their home label Twitcher Records. Self-assured, intriguing and nuanced, it is a solid debut from[ . . . ]
Interview: Thomas House (Sweet Williams) + exclusive track
Sweet Williams’ new LP, Where Does The Time Come From, is due for release on 20th September via Gringo Records. Thomas House, who conceived and recorded the whole album by[ . . . ]
High Life, dir. Claire Denis [review]
High Life, the first English-language film by French director Claire Denis, is far removed from the typical sci-fi tropes, such as the glorification of space exploration, praise of the human[ . . . ]
Mésange – Gypsy Moth [review]
Mésange are an instrumental duo formed by contemporary violinist Agathe Max (Kuro), originally from Lyon, France, and guitarist Luke Mawdsley (Cavalier Song) from Liverpool. Two years after the release of[ . . . ]
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